It tells a thriller story about a chase that begins with an old priest who pretends to be an old man who died alone in a dilapidated neighborhood and hears the prisoner's confession, and a middle-aged female detective working together.

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Two sound artists play and listen into the large hole of the Garzweiler open-cast mine as a self-experiment. The camera observes the conflict at the hole, looks and listens into it. All attempts to alleviate or stop the wounding of the landscape seem fragile, helpless and perhaps even futile.

A Documentary seeks the encounter between people, the collective memory of the city of Madrid.

A short documentary showing the making of the movie 'Lords of Dogtown'.

A Catholic priest is sent to investigate reports of two virgin conceptions. One is about to give birth to the child of God and the other is the child of the Devil and he must decide which one is good and which one is evil before Satan's followers can stop him.

Four characters, four screens. The audience immersed, as stupefied as in a shopping mall electronics shop. Your attention flickers, trying to take it all in, not miss crucial details. The work seems unlimited in all directions, and it’s dazzlingly overwhelming. But you adjust to the overload. You realize the sound design is gently guiding your attention from screen to screen. You can make your own interpretations, even your own edit, your own film. So you discover moments that seem like outtakes: delightfully unexpected, notable non-incidents in the character’s lives that would usually be off-screen. But here, there is no off-screen.